We’re FMT Studio, a team of three communication designers working across exhibition design, visual identities, and editorial projects.

We start by understanding the content, finding a visual idea, and building a system around it. Typography, structure, and context guide our decisions, whether we’re designing for an exhibition space or a printed page. We’re especially interested in projects where a strong concept and thoughtful execution go hand in hand.

We develop ideas together, discuss design decisions, and work towards a shared visual direction. Depending on the project, we can develop a visual identity from scratch or join an existing creative team to work on specific design tasks.

We’re open to project-based collaborations with art directors, studios, and creative teams.

Exhibition design requires a visual language that works at different scales, from large spatial graphics to small informational details. Through two exhibition projects, we explore how a central concept can shape typography, navigation, printed materials, and digital communication .

Boundaries of Age is an exhibition exploring the physical and symbolic boundaries we encounter as we grow up.

We developed its visual identity and a graphic system for the exhibition space, printed materials, and digital communication.

The identity explores the passage of time and the different stages of growing up. Circular markers, measuring scales, and typography translate these ideas into a flexible visual system that changes across formats.

The identity extends across wall graphics, wayfinding, posters, tickets, and digital materials. Its key elements were brought into the exhibition space, connecting large-scale graphics with smaller informational details.

The Great Disorder is an exhibition exploring chaos, decay, and entropy in the world around us.

Our task was to develop a visual identity that would reflect the exhibition’s concept while organising its content across print and digital formats.

The identity explores the tension between order and chaos. Fragmented and distorted typography reflects instability and disruption, while a restrained layout keeps the information structured and readable.

The visual system extends across exhibition posters, printed guides, wayfinding materials, social media, and a website, adapting the same graphic language to different formats.