Graphic narrations and motive of the apocalypse in the comic book
The visual study provides an analysis of the features of the antitopia genre and the graphics used by Western and Eastern authors to create an apocalyptic future.
The book describes Japanese and European comic books from the 1950s to modern times. The study is divided into three main categories: the principle of catastrophe, the nature of narrative, fate, and salvation. A number of vector images have been created for navigation to accompany the text block and visual filling
All graphic novels contain a list of several features of each subtype of definition.
Example of vector image navigation
The study contains two types of Schmuctitul — a large section (east and west) and a twist, from which begins the analysis of the graphic novel (data on author, genre, publication and time for publication)
The first type of Schmuztitula is the division into the east and west comic book with the content inside.
The section concludes with a list of recommendations and a qr code for a collection of novels divided by type of disaster and storyteller.
Example of output navigation
The second type of schmutztitul is a comic book review (example)
Material is accompanied by miniatural fragments of large images and additional information in the form of statistics, interesting fact, copyright observation, etc. (secondary narration)
Fragments and details
Reversal mackerels
The study concludes with an infographic analysis comparing the motives and issues raised by the author in the study (split into «Japan» and «Europe»)
Forzac
Flatplane
The format is 160×240200 pages of Fonta: Apoc LC (Regulars + Italian) — hits, quotations, TT Normams (Regular, Medium) — A set text, facts Noto Serif JP (Light) — names in Japanese
Reference to research:
