[CONCEPTION]
The plastic play «Orestea» is a single, continuous action where the focus is in the focus. Human beings are represented as flesh, tormented by the circumstances of a generation. The line is erased: sharp dances on the bones are mixed with naturalistic paintings. Hysteria and general psychosis, because there’s no way out of the cycle. A tragedy in a tragedy where family members execute each other without seeing how they eat themselves from the inside.
Visual image
Inverted realities. It’s a substitute for meaning. Dancing on the bones. Three unitys. Three acts. Three tragedies. Three changes to the big set. Gradual filling of space. The beginning, the middle, the end. It’s a blood cycle.
An ancient Greek tragedy within the absurdity of modern realities. It’s all in the farce. The anatomical theatre of the family is becoming a modern space for sophisticated interpretations. Place of action for Acts I. Palace — Ball II. The grave is Morg III. Temple — Museum
[SENOGRAPHY ON ACTIVITY]
[ACT 1] «Agamemnon» Ball Space Pear Demonic Dancing among the plague
Ephigeny’s Sacrifice
the appearance of Cassandra and Agamemnon
preparing Agamemnon and Cassandra for the feast
[ACT 2] «Dead by the Coffin» Space of the Wave morgue and dissecting Psychosis and Storm
Orest and Elektra mourn their father
Orest snake dance
Clitemnestra dissecting scene
Psychotic show at the sound of thunderstorms.
[ACT 3] «Evmenides» Space of the modern Orest Museum as an exhibit of the Court and purifying
Court of Orest
A dispute between the gods and the judgment
Peace of Evmened and the Cleaning of Orest
[CHUCKLES]
Imagining costumes in neuronets
Weird characters. The modern existential space of the executioners. Freak costumes.
Agisf/Clitemnestra/Agamemnon/Erinia/Athena
Uppolon/Casssandra/Hor/Orest
[FIRMAN STEEL]
In the pens, the boys squeezed their own meat — their guts, their guts. And their father, oh, a sad feast! The ripples in the mouth are ripping.
