Renovation at the Juan Gris Museum
The upgrade is linked to the concept of exhibition and facade: it is a spatial translation of the Juan Gris method, a deductive structure from general to private, to the scale of the park environment. As in his painting, the structure is made up of fragments connected by strict logic. Land art becomes a form of thinking: a material reconstruction of the artist’s method.
The spatial logic of upgrading is built as a two-part structure: a prologue and an epilogue to the exhibition. The first area — the area with the crack and the monument — creates a sense of division and internal tension, setting the tone of perception. She doesn’t explain, but she does. The audience doesn’t just come to the museum, it’s history.
After leaving the exhibition, the route continues to the other part of the territory, the area of silence and deceleration. The depths in the ground, the open crowns of trees and the absence of visual noise create a condition for a pause. It’s a space where you can digest what you see and get back to yourself. It follows the principle of Gris himself: from the composite voltage to the active void, from the shape to the inner focus.
The only place in all the improvements with flowers is the point of Spain Island. He looks like something random, like a mistake. I’d like to get a closer look, but I can’t.
The fog rising from the ground is a metaphor for oblivion. It fills the space between the features of the upgrade by repeating the image of the unspoken and inaccessible underlying exposure. The fractures on the surface are the continuation of the facade. They loosen the terrain, breaking the territory into autonomous areas, like Gris’s compositions, on the edge between logic and rupture.
The sections. Rellef.
Master plan. Functional zoning / Situation plan
1 — Monoment 2 — Resting areas 3 — The cliff and the island of Spain 4 — The Bridge. The entrance to Museum 5 is a cliff. Amphitheater 6 — Rest Forest
Ways in which the visitor is expected to travel
White point line — route on the way to the brown dot line — route after the exhibition
*The project contains material for the post-processing of the IE.
