my name is kola fomenko. i work at the intersection of artificial intelligence, biomorphic form, and experimental design.i am interested in how structures grow, transform, connect, and become meaningful through design.across visual identity, editorial systems, typography, objects, and moving images, I explore the relationship between natural processes and technological form.

This project is a chronological collection of existing materials about Dmitry Kawarga’s practice.The book is not focused primarily on the artist’s own statements. Instead, it examines how Kawarga is represented in the cultural field through reviews, articles, interviews, critical responses, viewer comments, and social media publications.The design challenge was therefore editorial as much as visual.How do you organize a book in which the central subject is not only the artwork itself, but the way it is discussed, interpreted, and publicly understood?

For the streetwear brand .solutions, I designed an experimental display typeface based on techno-organic forms. The project began with a contradiction.Organic structures are fluid, irregular, and mutable. Typography requires recognizable characters and internal consistency.