& quo; … only white noise is dissolved among distorted signals and enraged images. The broken world is reflected in the creepy mirror, growing like a tumor, filling itself with space. What does it mean to exist? I’m standing on the sleeves of blind giants, and I’m gonna see further than they are. My dream is — become higher than they are.
Dates: 20.01.2026– 26.02.2026
Project mission
The project mimics the language of the retrospective exhibition in quazi Universe, in which the doll becomes: the small figure with the individual CV, biography, and the alternative history of the exhibitions from the near future. The project works as a thought experiment and an institutional criticism tool. The main idea of — is to model the situation where the creator and the production is changing places, and the question <laquao; who is the artist?» is brought in 0; absurd. The doll becomes the author in 1; the reality that comes from a set of artifacts, wreckage in 2; the interference through which the & laquao; broken in 3; reality passes.
Photo by Eugenia Senina
Photo by Eugenia Senina
The results achieved
The opening of the exhibit drew much attention to the the problem they wanted to show through the exhibition: where is the boundary between the art object and its creator? Is it possible that the artist’s figure would become a work itself? How important is it for an artist to be a man» — and generally « be»? What happens to authorship in post-internet world, where presence is replaced by simulation?Style concept
The style is based on the methaphore of blindness. Not use works that participate in expository, so the concept implies an Identifier in h/btones with inflammation, creating a sense of incompleteness and uncertainty. The concept of identity was proposed in 2 module, and approved and implemented Not 0; Not 1; training module.
Social networking and invitation to open
Positions and stories for social networks. Introduction to the author
The viewer looks through the world of blind giants from the inside. We’ve used the entry group as a follow-up to the idea of blindness. They glued two glasses from the 'nbsp; three matt film; and 'nbsp; the white oracal printed the text. When a person is from the 'nbsp; the Vincesp; he looks back into the 'nbsp; another world; — into the doll’s head, he sees the 'nbsp; the inner reality. However, while inside the gallery, he sees the outside, ' la qua; human» world. So we ' nbsp; showed duality and unknown to the two sides.
Scheme of the entry group
The entry group. photographer: Eugenia Senina
the exhibition’s return. photographer: Eugenia Senina
Photo from the vernisage, team working on the project.
The project was worked by Alexei Gromov, painter Ilya Kronchev-Ivanov, curator of Elizabeth Ostrovsky, designer Ilya Bannikov, tutor and teacher of Vlad Shalaev, project manager Anastasia Panova, founder of the gallery
Photo by Eugenia Senina
