Ребрендинг видеоигры «Opium Colors» глазами AI
Оригинальный проект
Компьютерная 2D-игра в жанре Action Beat ‘em up. Игроку предстоит погрузиться в мир уличных разборок, где необычные татуировки не только украшают тела, но и даруют сверхъестественные способности.
Главный герой — полицейский, который пытается расплатиться с семейными долгами. Однако, вместо традиционных методов он решает идти по сомнительному пути, постепенно втягиваясь в мир криминала.
Примерные скриншоты из видеоигры.
Ideogram
Персонаж и локации
(1) Сгенерированная версия главного героя. (2) Первоначальный вид.
A mysterious male protagonist in a dynamic fighting stance — fists raised, body crouched low, ready to strike. His face is completely obscured by deep black shadows, no visible eyes or features — only the silhouette of his head and jawline. He wears a white tank top with rolled-up sleeves, loose dark pants with red side stripes, grey sneakers. One arm bears a glowing neon blue-green piranha tattoo biting its own tail — the only source of light on his body. Behind him: gritty urban alley at midnight, wet pavement reflecting distant green streetlights and flashing red/blue police cruiser lights. The scene is drenched in heavy chiaroscuro — almost all background details swallowed by pure black shadows, except for the glowing tattoo and faint emergency light reflections. Art style: noir-inspired 2D animation, high-contrast cel-shading, cinematic mystery, minimal facial detail. Color palette: near-black shadows, electric cyan glow from tattoo, muted teal background, crimson flashes from lights. Vertical composition, focus on posture and glowing symbol — the hero is a shadow with a burning mark.
Сгенерированные локации.
(1) A decaying industrial port at midnight — rusted shipping containers stacked like tombstones, oil-slicked water reflecting flickering neon signs from abandoned warehouses. Graffiti covers every surface: yakuza clan symbols (cranes, waves, koi), gang tags in dripping spray paint, and giant murals of skeletal sailors with piranha mouths. Gang members in torn workwear and tactical vests stand guard near cranes and broken forklifts — some with full-back irezumi tattoos glowing under UV streetlights, others with scarred knuckles and brass knuckles shaped like dragon heads. One leans against a cargo container, smoking a cigarette, his face half-hidden by shadow; another sharpens a machete on a rusted pipe. Distant fog horns echo. Atmosphere is cold, wet, and brutal — the underworld’s smuggling hub. Art style: gritty comic book noir, heavy ink lines, high contrast cel-shading, inspired by «Blade Runner» meets «Yakuza» comics. Color palette: oxidized steel grey, deep navy blue, toxic green, blood crimson, and electric violet. Wide-angle shot, cinematic depth, sense of isolation and hidden violence.
(2)A gritty urban city street at night — rain-slicked asphalt, flickering neon signs, crumbling concrete buildings layered with decades of graffiti: wildstyle tags, stenciled skulls, and traditional Japanese irezumi motifs (dragons, koi, oni masks) bleeding into street art. In the shadows of alleyways and under flickering streetlights, groups of menacing gang members stand watch — some in hoodies and ripped jeans, others in sharp black suits with open shirts, blending street thug and yakuza aesthetics. All bear heavy tattoos: full-sleeve irezumi (snakes, cherry blossoms, demons), gang symbols, and glowing piranha motifs. One figure leans against a burnt-out car, smoking; another sharpens a tanto knife under a broken awning. Atmosphere is tense, lawless, and ritualistic — like a modern-day Edo underworld fused with urban decay. Art style: high-contrast comic book illustration, bold ink lines, cel-shading, dramatic chiaroscuro lighting, inspired by Frank Miller and Katsuhiro Otomo. Color palette: deep blacks, blood crimson, oxidized green, neon violet, and concrete grey. Wide-angle composition, cinematic depth, sense of lurking danger.
(3) A decaying industrial port at midnight — rusted shipping containers stacked like tombstones, oil-slicked water reflecting flickering neon signs from abandoned warehouses. Graffiti covers every surface: yakuza clan symbols (cranes, waves, koi), gang tags in dripping spray paint, and giant murals of skeletal sailors with piranha mouths. Gang members in torn workwear and tactical vests stand guard near cranes and broken forklifts — some with full-back irezumi tattoos glowing under UV streetlights, others with scarred knuckles and brass knuckles shaped like dragon heads. One leans against a cargo container, smoking a cigarette, his face half-hidden by shadow; another sharpens a machete on a rusted pipe. Distant fog horns echo. Atmosphere is cold, wet, and brutal — the underworld’s smuggling hub. Art style: gritty comic book noir, heavy ink lines, high contrast cel-shading, inspired by «Blade Runner» meets «Yakuza» comics. Color palette: oxidized steel grey, deep navy blue, toxic green, blood crimson, and electric violet. Wide-angle shot, cinematic depth, sense of isolation and hidden violence.
Новые дизайны бандитов
A towering, scarred gang enforcer stands in the rain outside a burning izakaya. His bare chest and arms are covered in traditional Japanese irezumi — a massive black-and-crimson dragon coils from his shoulder down to his knuckles, its eyes glowing faintly like embers. He wears torn black slacks, no shirt, and a bloodstained haori tied loosely at the waist. One hand grips a broken bottle; the other rests on a tanto sheathed at his hip. Behind him, neon signs flicker, and smoke rises from overturned trash cans. His expression is calm but deadly — like a storm waiting to break. Art style: gritty comic noir, bold ink lines, cel-shading, inspired by Frank Miller and Katsuhiro Otomo. Color palette: deep black, volcanic red, ash grey, and ember orange. Focus on the dragon tattoo — alive, coiling, watching.
A lean, silent figure leans against a wet brick wall in a narrow alley, hood pulled low. His left arm is fully sleeved in a flowing irezumi of ocean waves, koi fish, and drowning hands — rendered in shades of indigo, silver, and ghostly white, as if the water moves with his breath. He wears a soaked black hoodie, tactical pants, and fingerless gloves. In his hand: a chain wrapped around brass knuckles shaped like a whirlpool. Rain drips from his chin; puddles around his boots ripple unnaturally, as if responding to his presence. No one sees his eyes — only the cold glint of steel and the endless pull of the tide in his ink. Art style: atmospheric urban comic, high contrast, liquid textures, moody lighting. Color palette: deep navy, mercury silver, drowned blue, concrete grey. The water tattoo seems to breathe.
A muscular, battle-worn gang lieutenant stands atop a rusted fire escape, overlooking the city at dawn. His back and arms blaze with a full-body irezumi of a roaring tiger — fur rendered in black, and blood-red ink, its eyes locked forward as if guarding him. He wears a sleeveless tactical vest, combat boots, and fingerless gloves; scars crisscross his torso like war maps. One hand grips a sawed-off shotgun; the other rests on a steel railing, claws of a tiger tattoo stretching over his knuckles. The city below is silent — he’s the last one standing after a turf war. Art style: hyper-stylized comic realism, sharp lines, dramatic sunrise backlighting. Color palette: burnt orange, charcoal black, tiger gold, steel grey. The tiger isn’t just ink — it’s his spirit, and it’s hungry.
Сгенерированный логотип
(1) A gritty urban graffiti-covered wall at night, serving as the backdrop for a game title logo that reads 'Opium Colors' in bold, stylized street-art typography. The entire scene is rendered in a cold, desaturated blue palette — no reds, no warm tones. Graffiti swirls in shades of electric blue, indigo, steel gray, and deep violet, interwoven with dark, viscous streaks of navy-black liquid (stylized as blood, but appearing as ink-like sludge). A police car’s emergency light shines from off-camera, but only the blue component is active, casting a pulsing gradient of cobalt to icy cyan across the wall.
At the base of the wall: an oversized, rusted metal trash can — massively disproportionate, towering over the scene like a decaying monument. Lying curled up beside it is a small, motionless figure in a dark hoodie (face hidden), clearly much smaller than the trash can, emphasizing vulnerability and decay. His exposed arm shows raw muscle and missing skin, rendered in muted blues and grays to match the monochromatic aesthetic.
Hyper-realistic detail, cinematic neo-noir lighting, high contrast, dramatic scale distortion for symbolic effect, 16:9 aspect ratio.
(2) Logo for a dark urban game titled 'Opium Colors', no background (transparent or isolated on white). Bold, aggressive graffiti-style typography. Letters are cracked, dripping with dark navy-blue viscous liquid (stylized as blood, but only in cold tones — no red). Color palette: electric blue, deep indigo, steel gray, icy cyan. Sharp edges, gritty texture, street art aesthetic. Clean vector-like composition but with raw, hand-sprayed detail. No background, no scenery, no characters — just the logo.
Сгенерированные постеры
Comic book style poster for a 2D beat ‘em up game. Close-up of a male police officer’s face half-hidden under a hood — his eyes are completely in shadow, only glowing blue pupils visible. His hand grips handcuffs that melt into glowing ink tattoos crawling up his arm. Rain streaks down the frame like comic panels. Background: blurred neon city, no details — pure atmosphere. Style: bold black outlines, heavy shadows, cel-shaded lighting, cold blue and black palette with electric highlights. Title ‘Opium Colors’ in graffiti font at top, slightly cracked.
Dynamic comic book action poster. Main character mid-punch, shirtless, tattoos on arms and chest glowing with supernatural energy — one arm erupts with blue waves, another with red serpents. His face is tilted down, eyes hidden in deep shadow, only sharp jawline and glowing tattoo patterns visible. Behind him, gangster’s face shatters into ink splatters. Style: thick black outlines, halftone shading, dramatic perspective, saturated colors with dark shadows. Game title ‘Opium Colors’ in jagged graffiti letters at bottom, dripping like blood.
Сraiyon
Сувенирная продукция
Comic book style hoodie for gang members in ‘Opium Colors’ game. Black fabric, back print: a giant dragon tattoo wrapping around spine, blue waves and koi fish on sleeves. Inside hood: graffiti text ‘Don’t judge — you don’t know the price’. Style: thick ink outlines, shadowed eyes on logo, cold blue and red accents. Isolated on white.
Black ceramic mug for police characters in ‘Opium Colors’. Exterior: comic-style illustration of protagonist sitting at table, face in shadow, tattooed hand holding mug. Graffiti wall behind: ‘Debts aren’t paid in money’. Inside rim text: ‘You haven’t paid yet’. Cold blue lighting, isolated.
Ресурсы
Во основном все изображения были сгенерированы в Ideogram: https://ideogram.ai/
Для генерации промтов и идей Qwen: https://chat.qwen.ai/
