Diploma 23
Diploma23 — is an exhibition of bachelor ' s degree projects <laquo; Design and modern art» 2023 in the National School of Design of the USS. Each work is an element of self-expression, which was carried out in spring in the the form of an exhibition or other event at the the sites of Moscow: from CTI <laqua; Fabrika» to the Iragui Gallery.
Curators of the exhibit: Constantin Adger, Maria Celoyantz and Gosha Golitsyn suggest revising the meaning of the word <laco; error» and give up his negative connotation.
«As we know, it’s not the only one who’s wrong who’s not doing anything.»
Each of us from the school bench knows how to work on mistakes. Any error that has been found, rethought, and a reprocessed error turns into a growth point, in a moment of learning new knowledge and skills. But…nbsp; so… nbsp; is it important that every mistake be corrected and correct?
Visual studies of the exhibition participants
Ekaterina Rubtsova is a speculative school dictator whose text is contained in you have teenage letters of recognition in love. The purpose of the system is to rethink the adolescent past, both personal and collective, and as a consequence of its adoption.
«A obedient artist is a bad artist» — diplomatic leaders and allow students to choose their own path.
Room 1
In the opening time of the Diploma23 exhibition passed Katerina Mihailova ' laquo; wait, it’s early». The setting of the table — the process for which the food on the plates is placed on the appropriate places becomes sacral.
In the main project is <laquo; Keys-guru» Kirilla Vasiliev — authorial somatic practice of resting the body on Vasilev. The author examines working-body relationships and capitalism, physical labour, and politics.
Ivan Gorokhov — fictional hero with the characteristics of a obedient 'laquo; little ' raquo; man. On this time he appears in the poet’s style, performing at the a special poetic evening, where he talks about his creative way and his achievements, presents his own poem book, and also invites anyone who wants to read poems.
Room 2
===Death===In the frame of the installation of the witnessing mortility of Alice Muderrisoglu gives up the interpretation and the focuses on the the visualization of vulnerability, suffering and death challenges our perception of human form by distorting it; and manipulating it in unexpected ways. Implemented in authored technology, sculptures connect in you experiment with body plastic; and monumentality.
In the Varvara Medunica project < <Our Paule» plastic forms simulate organic nature and gradually enter into the species of the living and the tangible. The artist is not she criticizes modernity: she’s only studying that’s how the two worlds face, what they’re like and o why they argue.
& quo; I» — is a series of studies on the development of identity and the development of a conscious understanding of personal boundaries. Based on M.O., <laquo; the individual habit& racuo; the artist examined the deformation of semantics and the formation of the habit of <laquo; single& raquao; letters with one slope and without change.
Room 3
The Maria Avdanina project views the night club area and gymnasium as commercializing the practice of caring for see, through the phenomenon of music <laquao; for breaking up». By mimicing this type of music, the speculative track i know myself creates a sense of freedom and self-sufficientness.
< <<<> <> <<<><<> It’s almost the first question Grandma asks when you go to it’s in the guest. >> In Ellin Tagirov ' s own project shows not only research, but and personal history, and dedicated to her installation. In 'nbsp; 1948, in 'nbsp; the village of Salawat was moved by many villagers. 'Nbsp; — study and work on the 'nbsp; only the built combination. In teatime heroes share their memories of this period with the viewer.
The inflatable white tent becomes the artist’s personal sacrilege. By engaging in the collective practice of the actors in this space, the viewers witnessed and the participants in the ritual of trust of light. They got a gift at the the spark that was carried away with the the special in the the heart.
Photos: Rita Umnova, Eugenia Aleinikov.
