My killer (2016)
My Killer (2016)
In the frozen silence of the mountains, a killer flees with a bloodstained knife still clutched tightly in his hand. Red tracks on the white snow mark his every step, while the shadows of his pursuers hide in the mist. It is an endless escape, where nature bears mute witness to the sins he cannot leave behind.
Among the silent snow, a killer moves like a ghost. It is not the snow that makes him shiver, but the shadows of the past that he cannot leave behind. Meanwhile, in the fog, a detective hunts every trail, piecing together a murder puzzle where the line between victim and perpetrator is blurring. Every step is a race against time, and every breath could be the final clue.
Haulout (2022)
An ironic representation of 'Haulout' (2022): walruses sleep on the doorstep of a scientist’s hut in the Arctic to replace sea ice. wildlife that is forced to seek refuge in the footsteps of human civilization, as its natural habitat disappears.
When walruses make an emergency migration, they are usually forced to come ashore when the sea ice disappears. Without a natural resting place, they endure weeks on land, starving and caught up in mass panic. It’s a visual irony that animals that should be living peacefully on the ice are now struggling to survive in an increasingly inhospitable world.
Walruses lie dead on the beach, dead not of old age or predators, but of habitat loss. This is the most painful contrasting visualization of the climate crisis.
