
The image of the imaginary flight trajectory of the initial pulse is unpredictable and reminiscent of children’s karakuls, which are also unknown for the ultimate goal. And by looking behind the trajectory, we can see that it could turn out to be a boomerang like this: the body goes back to the point from which it started. Two bodies launched at the same time may not be encountered, even if intended, and vice versa, if not envisaged. Sometimes the trajectory may be as difficult as a proud knot that goes beyond our understanding and never reach the end.
In the Space Ballistics Study, we see an abstraction whose explanation can only come from the title of the series and the authors' comments. There have been numerous instances in which unprofessional curators at exhibitions, without the participation of the authors, hung abstractions «upside» or either side without knowing what the artist was doing. Sometimes the artists themselves came to a coup d ' état as an abstraction — accidentally Candinsky or Princely Bastels. The abstraction begins with a different narrative: the material «which is and on which» and the movement of the artist’s hand.