
The book is written in a minimal and discreet manner, as a visual equivalent to the nature of the marriage itself. Such an approach highlights his desire for order and accuracy in painting.

Unlike the vertical format that was designed to tell and post long texts, and the horizontal format, which involves an abundance of images and a panoramic delivery, I chose a format close to square. It takes an intermediate position, allowing for a balance between the text and the image.
There’s not much text in the book: it’s placed in bits, with pauses between fragments, so that the reader can have room for reflection.


Reversals (details)