
A series of photographs created in collaboration with artificial intelligence (MIDJOURNEY AI). The photo project observes various aspects of human life, manifestations of human essence through the material world surrounding a person, namely through a chair familiar in everyday life. A chair that is almost always there next to a person. The chair as a witness and accomplice.

diagonal composition, light at the end of the tunnel from the open door, in the opening you can see a small silhouette of a chair, minimalism, colour photography, high resolution, cinematic feel, in the style of by David Fincher
a cinematic shot, filmed with an Arri Alexa Mini camera, using a wide angle lens, using natural light, with a warm color grading
cinematographic scene, still image, morning, fog, heavy rain, city street, a silhouette of a character passing by, it is a young man or a young woman who is sheltering from the rain by holding a chair upside down above him, VHS grain, bokeh
A lone chair at an empty cafe table by the window, symbolising missed connections and conversations, outside the window is a blurred view of a city street, fog, heavy rain, a silhouette of a character passing by, who is sheltering from the rain by holding a chair upside down above him, VHS grain,
A wooden old chair in the foreground, there’s no one sitting on the seat of the chair, a window in the background, close-up of human hands resting on the back of a chair, HDR V6, a cinematic shot, filmed with an Arri Alexa Mini camera, using a wide angle lens, using natural light, with a warm color
a spontaneous point and shoot 35 mm film photograph in the style of kodak portra 400. Scene: The subtle changes in the shadows cast by the café’s furniture as the day progresses. Composition/Framing: Time-lapse style, capturing the movement of shadows across the floor. Color Palette: Dynamic interp
A photograph of an internal corridor in a hospital. The corridor is long, with doors on one side, , on the second side there is a row of chairs for waiting patients, but one of the chairs is in focus in the foreground, no one is sitting on it. In the far background are doctors and nurses in medical
circle of 12 chairs, chairs are simple, old wooden chairs and all different, no one is sitting on the chairs, high angle, top view, background, backlight from window in dark room, long shadows of chairs on wooden floor, people moving on the periphery of the frame and between the chairs, Motion blur
electric chair used for maximum security prison in focus, no one sitting on the electric chair, low key lighting, overhead spotlight aimed precisely at the chair, David Fincher style cinematic shot
A little girl hiding behind the back of the chair, part of her silhouette is visible in the darkness, her eyes and part of her face are illuminated by the light in the style of Vermeer, golden hour, Chiaroscuro, her face has shadows from the rungs of the back of the chair
color photograph a park view from the balcony of a house with one empty chair, empty chairs in the park, the early morning lighting, shadows cast by trees on the ground, overhead shot, in the style of Henri Cartier-Bresson
Cinematographic scene, still image, focus is on a chair with clothes carelessly thrown on the back of it, no one is sitting on the chair, in the foreground close-up blurred figures of a man and a woman trying to kiss each other, intimate lighting, dutch angle, Extremely long shutter speed, Bokeh
Cinematic, documentary photograph, student walking towards the exit of the classroom, we see the lower part of her figure in the aisle between the chairs, legs through the chairs, her figure is blurred, chairs in the foreground in focus, camera is to her right, lower corner, shot on 16 mm Sr2 Kodak
diagonal composition, light at the end of the tunnel from the open door, in the opening you can see a small silhouette of a chair, colour photography, high resolution, cinematic feel, in the style of by David Fincher
A wooden old chair in the foreground, there’s no one sitting on the seat of the chair, a window in the background, close-up of human hands resting on the back of a chair, HDR V6, a cinematic shot, filmed with an Arri Alexa Mini camera, using a wide angle lens, using natural light, with a warm color
damaged film negative Colour photo of a pile of broken and discarded chairs, close-up of a broken chair in focus, shot on technicolour film, grain, Herbert List style
Shallow depth of field (DOF), Low Key Lighting, ground level, there’s a shadow of a chair on the wall, shot in the style of a Nikon D850 digital SLR camera with a 70 mm lens at f/4 aperture, full frame video art, textured walls, with dramatic lighting
color Photograph of an empty empty chair with a white shirt thrown over its back, through which the bars of the back of the chair show through, sitting in the corner of a messy room with long shadows, in the style of photorealistic surrealist photographer Stanko Abadzic, dutch angle, high angle
an empty chair with no one sitting on it on a busy city street, a photographer with a camera walks past the chair and is reflected in the glass, a colour photograph in the style of photographer Ernst Haas, grain